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Nocturnal Fugue (2024) and EchoVision (2024)
Nocturnal Fugue and EchoVision explore how non-human species experience the world.
All artworks
1001 Nights (2024)
Inspired by Persian folklore, Ada Eden’s game 1001 Nights reinvents the ancient tales of One Thousand and One Nights using AI and audience interaction.
by Ada Eden
Deanimated (2002)
Gallery 1 is transformed into an 80-seat cinema where Deanimated (The Invisible Ghost 1941) will be screened on an hourly basis.
It’s Not You, It’s M.E (2025)
It's Not You, It's M.E. is an interactive point-and-click game based on the artist’s experiences of living with Long COVID and M.E.
by Matt Allen
Hiraeth-x (2025)
Recalling the innocence of the early days of the internet, Hiraeth-x is a first-person game. It explores the nostalgia we have for this time through the unmistakable aesthetics of the online spaces that Livi frequented during her childhood.
by Livi Wilmore
Feel My Desire (2025)
Feel My Desire is a text-based game centred on the power of words and the personal mythology of the professional wrestling world.
by James McColl
Doomscroll_1 (2025)
Doomscroll_1 takes players through digital realities, meandering from the mystical to the mundane and every possibility in between - a rollercoaster to infinity.
The Alluvials (2024)
The Alluvials is a multi-level video game and film that examines the impact of drought and water scarcity in a near-future LA. Told through a variety of non-human and elemental perspectives, The Alluvials is a multi-species exploration into the effects of a heating planet and the subsequent climate crisis.
Feral Metaverse, Y-Frame Edition (2025)
Feral Metaverse is a chaotic, exploratory multi-player game. Taking inspiration from massive online role-playing games such as World of Warcraft, Theo’s work provides an artistic response and counterbalance to Mark Zuckerberg’s Metaverse; a highly monitored and productive virtual environment.
Mapping the Wasteland: PAY AND DISPLAY (2025)
Kara Chin presents a new interactive multimedia installation for Liverpool Biennial 2025, inspired by Manga and apocalyptic video game graphics that explores rage, grief and nuisance.
by Kara Chin
Heaven in the Ground (2025)
DARCH have produced a new installation in collaboration with residents in Sefton, who have contributed stories about their physical and spiritual connections to the land of Merseyside.
by DARCH
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