Mrs Luva-Luva moves restlessly across mediums, a bit like a bird hopping about. She slows the speed of the hopping with books, old pubs, and following new curiosities as she drifts between physical and digital worlds, tracing how one leaks into the other through sculpture, textiles, AI video, and installation. Working in a single form no longer feels enough to capture the fractured and accelerated world we inhabit. The work is messy, instinctive, and self referential, threading its own logic through apparent chaos.
Mrs Luva-Luva is interested in how technology ripples through our sense of reality, shaping the way we work and how we understand ourselves. Accelerated production and fragmented attention are both symptoms and structures of modern life, and her work draws from this condition, where the physical and the virtual loop endlessly through one another. She worries about algorithmic forces worming into our brains and the dizzying speed of change.
The name Mrs Luva-Luva reflects this sensibility. It is a critique of lost digital freedoms and the inhabiting of new, more malleable identities, but also a personal experiment in play, resisting fixed identity and insisting that privacy should remain a choice. In an era of constant visibility, she is interested in whether we can still hold something back, choosing what we share of ourselves as a small act of agency in a culture that treats selfhood as public property.
