Rachel’s films exist within a world of fantasy, illusion, and artifice. In her earlier work, she used costume, makeup, and prosthetics to transform herself into a range of characters, placing them within richly detailed, hyper-saturated digital environments created using green screen.
In her 2024 film DUCK, which was previously displayed at FACT as part of gaming exhibition Art Plays Games, she incorporated machine learning for the first time, deepfaking her face into various James Bond actors. In her new exhibition, They've Got Your Eyes, Rachel pushes this exploration of artifice even further, merging her visual language with that of an AI model. Drawing parallels between today’s AI boom and Victorian invention, the film examines the motives driving advanced AI, and how fantasies of power shape its development. The work explores the tension between artistic authorship and machine agency.