Babeworld are an art collective based across Stoke-on-Trent and London. Babeworld’s work entangles popular-culture-inspired film, installation and sound design to interrogate themes of political and societal identity, disability, access, neurodivergence, sex work and race. Babeworld's research explores what it means to make, participate in and spectate art as marginalised individuals.

Jon Edgley is a Liverpool-based artist and graphic designer. Jon’s practice consists of drawing, curation and performance. His practice explores his existence, class and position as a minimum wage worker, artist, curator, and any other role required from them in their daily life.

Jazmin Morris is a Creative Computing Artist and Educator based in Leeds. Her practice considers the historical trajectories of modern technology and critically speculates on the landscape of human-computer interaction.

David Blandy is an artist examining global structures of control and networks of resistance, in areas as diverse as ecology, history, science and arenas of play. He makes videos, games, sound and ephemera, deconstructing forms to put them back together again.

Babak Ahteshamipour is an interdisciplinary artist with a background in mining and materials science engineering. His practice is based on the collision of the virtual vs the actual, aimed at correlating topics from cyberspace to ecology and politics to identity, exploring them via gaming and online subcultures with a focus on themes of coexistence and simultaneity.

Aleena Chia is a lecturer in Game Studies and Media Studies based at Goldsmiths, University of London. She researches videogame-making cultures and digital wellness practices to understand how media technologies automate work and optimise life–shaping inequalities in creative industries. Her research on video games examines game engines and digital labour and is published in journals such as Convergence, Internet Policy Review, Critical Studies in Media Communication.

Marijam Didzgalvytė is a Lithuanian-Tatar games industry critic dissecting the intersection between video games and IRL politics. Her work has been published by the Guardian, VICE, GamesIndustry.biz, Rosa Luxemburg Stiftung and others. She is currently a Senior Marketing Executive at a Bafta-winning videogames studio and is the author of Everything To Play For: How Videogames Are Changing The World.

Zein Majali is a sound and visual artist whose work explores the collision of technology with a rapidly evolving political landscape, with a particular interest in a post-colonial and globalised Middle East. Her recent performance work has been presented at the V&A, Somerset House, and the ICA.

Jeremy Chen is a Hawaiian-born, Hong Kong-Chinese artist and musician based in London, working primarily in sound, installation, moving image, and performance. His work explores dissociative states, digital technologies, masculine identities, as well as the intersection between brain rot and Buddhism.

Anne Duffau is a cultural producer, researcher, and founder of A—Z, an exploratory/nomadic curatorial platform. A—Z aims to open up to audiences by sharing discursive practices in order to challenge preconceived ideas about race, gender identities and so-called history in terms of power relationships. Her ongoing event series, Always Coming Home, researches the effect of visual and sound in narrative, named after the 1985 science fiction novel by Ursula K. Le Guin, where the reader follows a cultural group who live in the distant future long after modern society has collapsed.