For her first major commission in the UK, New York-based media artist Kristin Lucas has collaborated with three Merseyside girl bands - Flamingo 50, Venus and Exit 3 to produce and record new songs based upon their visions of the future.
Courtesy of the artist. (2003)
At times wistful, at others exuberant, the songs reflect the young women’s concerns with the environment, global politics as well as personal dreams and aspirations. The resulting video installation, to be shown in Gallery 1, FACT’s major exhibition space, features brass band performances, a majorette troupe and animated murals, signals optimism and energy as well as an ambivalent view of technologies that are increasingly shaping all of our lives.
Courtesy of the artist. (2003)
Kristin Lucas works with video, installation, performance and the World Wide Web to address and question the presence and effects of technology in our media saturated world. Over the Summer of 2002, Lucas collaborated with three girl-led bands - Venus, Exit 3 and Flamingo 50 - to write and record songs based on their visions of the future. Flamingo 50's Science and Nature was transposed for brass band by composer Paul Mitchell-Davidson and performed by Rainford Silver Band in a unique open air performance on Liverpool's Albert Dock Waterfront in October 2002. Video works based on these songs and performances form the core of the installation Celebrations for Breaking Routine.
In Celebrations for Breaking Routine, Kristin Lucas uses pop music in order to ask young women to delve into a particular social unconscious: how are the future and technology marketed towards them? Taking advantage of the organic freedom that musical creation and experimentation allows, Lucas has opened up a set of ideas that includes feminism, alienation, optimism, flirtation and rage, even exposing the processes that brought together a brass band, a majorette troupe and gallery staff with the musicians and mentors of the bands. The artist's action in this project is to be the producer who creates the relationships needed for these young women to make music, and to confront ideas of "the future" and "technology" with some critical distance.
Like a Lady, Science and Nature and Right to Speak differ from staple pop music fare. Written and performed by relatively new musicians, studio footage of the recordings show shy experimentation and low tech reinvention of the polished performances and highly aestheticised surfaces of mainstream music videos. These songs and their recordings engage groups of people, strategies and issues that don't normally intertwine. Indeed, music now is so completely hemmed in by commercial interests that more explicitly politicised music - whether about gender ideology specifically, or critical issues more broadly - is often met with scepticism. With its karaoke-style set up, the installation disrupts the conventional relationship between music and listeners, and the standard channels of radio, Internet and commerce that connect them.
A response to the heavy commercialism of pop culture, Celebrations for Breaking Routine shares its ambition to create social and cultural networks and legacies using rock music with other contemporaries like artists Jeremy Deller and Le Tigre. Where most collaborative
community efforts are linked to churches, synagogues, or government sponsored initiatives, and most music-making is now dominated by transitory fads and the cycles of international markets, Celebrations for Breaking Routine centres on the flexibility and mobility of "rockin'roll" as a socially bonding and liberating form of entertainment and expression.
The project was realised in partnership with Venus, Widnes, Rainford Silver Band and The Merseyside Pipers Majorettes, and funded by Arts Council England North West, BT North West and Arts & Business North West. A&B Arts & Business
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