Use the filter below to search through our archive of artworks.
Responding to his family’s multiple migrations during his early life, Boedi Widjaja’s work considers the limitations of language, and the arbitrary nature of its formation.
In 1620, Trisha Baga deploys approaches used in sci-fi filmmaking and speculative fiction to explore the mythology of Plymouth Rock.
by Trisha Baga
Dust to Data tracks through the colonial history of archaeology, to current parallels in the data mining of DNA and social media image banks.
Created for her FACT Together 2021 commission, Hope Strickland presents I'll be back! (2022) explores Black metamorphosis alongside institutional collecting practices and colonial violences
Harton Moor is an animated guided tour of a 1970’s council estate in South Shields, presented as an idealised architectural model set against the personal narrative of a child resident, Jessica.
by Erin Dickson
Larissa Sansour and Søren Lind have developed a new film installation featuring an Arabic-language opera, performed by Palestinian soprano Nour Darwish. Presented as a single aria, the opera revolves around loss, mourning and inherited trauma.
In Songs for living, the ghosts of our ancestors reconnect with life in a desire to heal following personal loss and ecological upheaval. Artist Korakrit Arunanondchai collaborates with cinematographer Alex Gvojic to create a collage of visual languages and musical styles which weave together stories of grief, transformation, and spiritual power.
Zinzi Minott's work explores both the histories of the Windrush Generation, and broader histories and experiences of Blackness, migration, and living in the diaspora. This new work, which is part of an ongoing series, has been developed in response to Liverpool.
by Zinzi Minott
Josèfa Ntjam is an artist, performer and writer whose practice combines sculpture, photomontage, film and sound. This installation reexamines history in the aftermath of colonialism and the Transatlantic slave trade. It references counter-cultural movements and non-Western histories that symbolise ideas of resistance, transformation and freedom.
by Josèfa Ntjam
In M2UY (2019-2024), Melanie and project participants consider the problematic alignment of incarcerated veterans’ lives with what the sociologist Joseph Campbell called the ‘Hero’s Journey’.
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Our cinema screens are programmed and run by Picturehouse.
For FACT's film programme, visit What's On or look for our special Cinema in the City screenings.