Life on FACT transforms a vintage broadcast camera into a real-time nature-documentary narrator. It uses neural networks, computer systems that learn by spotting patterns and processing data in a way loosely inspired by the human brain. Here, the networks are trained to produce a voice similar to that of popular wildlife documentary-maker Sir David Attenborough, subverting you and those around you into objects to be observed and exhibited rather than the artwork. Directing the camera at a new subject provides real-time commentary, poking fun at human exceptionalism by treating human activity in a way we typically reserve for other species. The work raises questions about surveillance and agency: how do external narratives, especially those generated by AI, influence our sense of self, of each other, and of the world around us?