PUMP UP THE VOLUME (1990) is a rebellious drama that captures the angst and disillusionment of suburban youth. Starring Christian Slater as Mark, a shy high school student who transforms into a pirate radio DJ, the film explores themes of free speech, teenage rebellion, and the power of voice in challenging the status quo. As Mark's broadcasts ignite a wave of unrest among his peers, the film becomes a powerful statement on the struggles of a generation longing to be heard.

KICKING AND SCREAMING (1995) is Noah Baumbach’s directorial debut. This witty, dialogue-driven comedy chronicles the lives of four recent college graduates who are reluctant to move on from their academic cocoon. As they drift aimlessly through post-graduate life, grappling with relationships, ambition, and existential angst, the film offers a humorous yet poignant reflection on the uncertainties and anxieties of transitioning into adulthood. Baumbach's sharp writing and keen observational eye make this a defining exploration of 90s slacker culture.
 

JUICE (1992) is a gritty crime thriller that delves into the lives of four Harlem teens whose friendship unravels as they seek respect and power in their neighbourhood. Directed by Ernest R. Dickerson an featuring a standout performance by Tupac Shakur, the film examines the dangerous allure of violence and the consequences of chasing the "juice"—street credibility and control.

BOYZ N THE HOOD (1991) is a powerful exploration of life in South Central Los Angeles following three childhood friends (Cuba Gooding Jr, Ice Cube, Morris Chestnut) as they navigate the challenges of growing up in a neighbourhood plagued by violence, poverty, and systemic injustice. Directed by John Singleton, this coming-of-age drama highlights the stark realities of urban life and the choices that can shape one's destiny.
 

SHOW ME LOVE (Fucking Åmål) (1998) is a tender and authentic Swedish coming-of-age story that captures the angst and excitement of teenage love. Directed by Lukas Moodysson, the film follows two girls in a small town (Åmål) who struggle with their feelings for each other amidst societal expectations and the complexities of adolescence. This heartwarming drama is a poignant portrayal of first love and self-discovery.

BUT I'M A CHEERLEADER (1999) is a satirical comedy that tackles the absurdity of conversion therapy with humour and heart. Directed by Jamie Babbit, the film follows Megan (Natasha Lyonne), a cheerleader sent to a conversion camp to "cure" her homosexuality. Through its vibrant aesthetics and sharp wit, the film critiques societal norms while celebrating the journey to self-acceptance and love.